THE POETRY OF THE EARTH. PORTUGUESE CINEMA: RITE OF SPRING
Gonzalo de Lucas
João Bénard da Costa in Francisca (Manoel de Oliveira, 1981)
EOn the 17th of November of 1973, in the Grande ...
... Alberto Seixas Santos
To Manoel de Oliveira Luis Miguel Cintra
The direct experience. Between Northern cinema and Japan Paulo Rocha
Conversation with Pedro Costa. The encounter with António Reis ...
THE THEATRE IN MANOEL DE OLIVEIRA'S CINEMA
Luis Miguel Cintra
FORWARD
MCINTRA, LUIS MIGUEL, "The theater in Manoel de Oliveira's Cinema" in Cinema Comparat/ive Cinema, n.6, 2015, pp. 24-29 ...
TO MANOEL DE OLIVEIRA
Luis Miguel Cintra
FORWARD
CINTRA, LUIS MIGUEL, "To Manoel de Oliveira" in Cinema Comparat/ive Cinema, n.6, 2015, pp. 13-14.
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Le Soulier de satin ...
... by names such as Manoel de Oliveira, Paulo Rocha, Fernando Lopes, João César Monteiro and specially António Reis– is far from being hierarchical and unambiguous.
Playing with Genres
Contemporary ...
... alone as well, in the sense that the solitary person has their own world. And he was solitary. Probably that’s why he recognized other solitudes in the students he had.
Francisca (Manoel de Oliveira, ...
... obsessive scenes and images from that time that are slowly being introduced in the films I make now.
Through the engineer Neves Real I met Manoel de Oliveira in Oporto, in the times of O Pão (1959), ...
... by, in alphabetical order, João Botelho, John Byrum, Sara Driver, Robert Frank, Amos Gitai, Jim Jarmusch, Johann van der Keuken, Robert Kramer, Manoel de Oliveira, Nicholas Ray, Carlos Rodríguez Sanz and ...
... / BIBLIOGRAPHY / ABOUT THE AUTHOR
Acto da Primavera (Manoel de Oliveira, 1962-63)
Whatever the tail with which one begins unravelling the skin of the best contemporary Portuguese cinema, ...
... Manoel de Oliveira
Back to voice: on voices over, in, out, through Serge Daney
FILMS UNDER DISCUSSION. INTERVIEWS
Fernando Ganzo
Álvaro Arroba
ARTICLES
Sarah Kozloff
Gonzalo de Lucas ...
... belongs to us Portuguese, even if I increasingly try to avoid it. But there is a sort of fixation, of dreaming, I don’t know…
In any case, like Manoel de Oliveira says, a word is an image in and ...
THE WORD IS IMAGE
Manoel de Oliveira
FORWARD
OLIVEIRA, MANOEL DE, "The Word is Image" in: Cinema Comparat/ive Cinema, n. 3, 2013, p. 9
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Amor de Perdição (Manoel de Oliveira, ...
... Portuguese Cinema: History and Phantom in the Images, Glòria Salvadó focuses on how this past is shown in the images of the present. Through a comparative study of images by three essential directors (Manoel ...
... hasard Balthazar (Robert Bresson, 1966), from Acto de Primavera (Manoel de Oliveira, 1963) to Il Vangelo secondo Matteo (Pier Paolo Pasolini, 1964), La Prise de pouvoir par Louis XIV (Roberto Rossellini, ...
... closenees and cohesion. All the film-makers included (i.e. Adolpho Arrietta, Jean-Marie Straub and Danièle Huillet, Manoel de Oliveira and Jacques Davila) have a more or less direct relationship with Biette: ...