Cinema Comparat/ive Cinema is a biannual publication founded in 2012. It is edited by Colectivo de Investigación Estética de los Medios Audiovisuales (CINEMA) at the Universitat Pompeu Fabra (UPF), and focuses on comparative cinema and the reception and interpretation of film in different social and political contexts. Each issue investigates the conceptual and formal relationships between films, material processes and production and exhibition practices, the history of ideas and film criticism.
Cinema Comparat/ive Cinema addresses an original area of research, developing a series of methodologies for a comparative study of cinema. With this aim, it also explores the relationship between cinema and comparative literature as well as other contemporary arts such as painting, photography, music or dance, and audio-visual media.
Cinema Comparat/ive Cinema is published in three languages: Catalan, Spanish and English. The journal is biannual and the numbers are published in summer and winter. The journal is peer-reviewed and uses internal and external evaluation committees. The journal will also accept visual essays on the topic raised in the issue, both as part of a written article or as an autonomous work.
Cinema Comparat/ive Cinema is an open access scientific journal recognized by international indexes such as DOAJ (Directory of Open Access Journals) and Latindex (Regional Information System for Online Scientific Journals of Latin America, the Caribbean, Spain and Portugal).
Finally, each issue of the journal is complemented by documentary materials and texts published online, which facilitate and enrich the topics studied in each volume, thus establishing links between longer research projects and monographic focuses throughout this process.
Deadline for submissions: April 10th, 2018.
More information HERE.
Godard by Solanas. Solanas by Godard
Jean-Luc Godard and Fernando Solanas
A combative cinema with the people. Interview with Bolivian filmmaker Jorge Sanjinés
Cristina Alvares Beskow
Conversation with Eryk Rocha: The legacy of the eternal
Carolina Sourdis (in collaboration with Andrés Pedraza)
Reading Latin American Third Cinema manifestos today
From imperfect to popular cinema
Maria Alzuguir Gutierrez
José Carlos Avellar