Editors: Albert Elduque (University of Reading, United Kingdom) and Gonzalo de Lucas (Universitat Pompeu Fabra, Spain).
Associate Editors: Núria Bou (Universitat Pompeu Fabra) and Xavier Pérez (Universitat Pompeu Fabra).
Advisory Board: Dudley Andrew (Yale University, United States), Jordi Balló (Universitat Pompeu Fabra, Spain), Raymond Bellour (Université Sorbonne-Paris III, France), Francisco Javier Benavente (Universitat Pompeu Fabra, Spain), Nicole Brenez (Université Paris 1-Panthéon-Sorbonne, France), Maeve Connolly (Dun Laoghaire Institut of Art, Design and Technology, Irleland), Thomas Elsaesser (University of Amsterdam, Netherlands), Gino Frezza (Università de Salerno, Italy), Chris Fujiwara (Edinburgh International Film Festival, United Kingdom), Jane Gaines (Columbia University, United States), Haden Guest (Harvard University, United States), Tom Gunning (University of Chicago, United States), John MacKay (Yale University, United States), Adrian Martin (Monash University, Australia), Cezar Migliorin (Universidade Federal Fluminense, Brazil), Alejandro Montiel (Universitat de València, Spain), Meaghan Morris (University of Sidney, Australia and Lignan University, Hong Kong), Raffaele Pinto (Universitat de Barcelona, Spain), Ivan Pintor (Universitat Pompeu Fabra, Spain), Àngel Quintana (Universitat de Girona, Spain), Joan Ramon Resina (Stanford University, United States), Eduardo A. Russo (Universidad Nacional de La Plata, Argentina), Glòria Salvadó (Universitat Pompeu Fabra, Spain), Yuri Tsivian (University of Chicago, United States), Vicente Sánchez-Biosca (Universitat de València, Spain), Jenaro Talens (Université de Genève, Switzerland and Universitat de València, Spain), Michael Witt (Roehampton University, United Kingdom).
Guest Editors: Jordi Balló and Ivan Pintor (Universitat Pompeu Fabra, Spain)
Contributors: Victoria Cirlot, Isabelle Freda, Joan Miquel Gual, Annalisa Mirizio, Mercè Oliva, Clara Santaolaya, Arnau Vilaró Moncasí, Luis Vives-Ferrándiz
Editorial Assistants: Mario Barranco and Brunella Tedesco (Universitat Pompeu Fabra, Spain)
Translators: Daniela Torres Montenegro.
English language reviewer: Michael Bunn.
Original design and layout: Pau Masaló (original design), Núria Gómez Gabriel (website and PDF layouts).
Acknowledgements:Elsa de Seynes (Harun Farocki Institut), Antje Ehmann (Harun Farocki GbR), Carles Guerra, Hito Steyerl, Theo van Leeuwen, Petra Witting-Nöthen (Westdeutscher Rundfunk Köln), Gabriella Jorio (Andrew Kreps Gallery NY), Ruth Pérez-Chaves, Mercedes Pineda Torra (Museo Nacional Centro de Arte Reina Sofía) and Museo Nacional Centro de Arte Reina Sofía.
Cover photo: Le Fond de l’Air Est Rouge (Chris Marker, 1977).
Publisher: Center for Aesthetic Research on Audiovisual Media (CINEMA), Department of Communication, Universitat Pompeu Fabra (UPF).
This issue has been funded with the economic support of the Departamento de Comunicación (Universitat Pompeu Fabra).
Place of publication: Universitat Pompeu Fabra. Department of Communication. Faculty of Communication – Poblenou. Roc Boronat, 138 08018, Barcelona (Spain).
E-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.
Website:https://raco.cat/index.php/Comparativecinema
Comparative Cinema, Volume 7, No. 12, «Iconographies in the public sphere. Fiction devices in the representation of power», Barcelona, 2019.
This issue is an output of the research project MOVEP (Los motivos visuales en la esfera pública. Producción y circulación de imágenes del poder en España, 2011-2017) REF: CSO2017-88876-P, funded by the Spanish Ministerio de Economía, Industria y Competitividad, AEI (Agencia Estatal de Investigación/FEDER, UE).
Legal Deposit: B.29702-2012.
ISSN: 2014-8933.
Comparative Cinema does not have either article submission charges or article processing charges (APCs). This journal provides immediate free access to its content under the principle that making research freely available to the public, which promotes a greater global exchange of knowledge.
Some rights are reserved. Published under a Creative Commons License (Attribution–NonCommercial–ShareAlike 4.0 International).
Deadline for submissions: [EXTENDED] January 30th, 2020.
More information HERE.
Editorial. Eztetyka
Albert Elduque
Revolution
Jorge Sanjinés
Tricontinental
Glauber Rocha
Godard by Solanas. Solanas by Godard
Jean-Luc Godard and Fernando Solanas
A combative cinema with the people. Interview with Bolivian filmmaker Jorge Sanjinés
Cristina Alvares Beskow
Conversation with Eryk Rocha: The legacy of the eternal
Carolina Sourdis (in collaboration with Andrés Pedraza)
The necessary amateur. Cinema, education and politics. Interview with Cezar Migliorin
Albert Elduque
Reading Latin American Third Cinema manifestos today
Moira Fradinger
From imperfect to popular cinema
Maria Alzuguir Gutierrez
The return of the newsreel (2011-2016) in contemporary cinematic representations of the political event
Raquel Schefer
ImagiNation
José Carlos Avellar
TEN BRINK, Joram and OPPENHEIMER, Joshua (eds.) Killer Images. Documentary Film, Memory and the Performance of Violence
Bruno Hachero Hernández
MONTIEL, Alejandro; MORAL, Javier and CANET, Fernando (coord.) Javier Maqua: más que un cineasta. Volumes 1 and 2
Alan Salvadó Romero
Editorial. The star system in Europe. Star studies today
Núria Bou and Xavier Pérez
Star Studies in Europe
Martin Shingler
Types of stardom during Franco regime: some dominant formulas
Vicente J. Benet
To capture the ephemeral
Christian Viviani
Perspectives, models and figures of the study of Italian divismo
Marga Carnicé Mur
White Gypsies: An interview with Eva Woods Peiró
María Adell
A train that derails, does it exist a European star system? A conversation with Axelle Ropert
Fernando Ganzo
The 7 families game: The families of actresses
Axelle Ropert
Cinema and its actors
García Figar
Asking the directors: What foreign actor’s personality corresponds to...?
Josefina de la Torre
BRADATAN, Costica; UNGUREANU, Camil (eds.) Cinema and Sacrifice
Rebecca Anne Peters
Editorial. Research into vision. Histories of cinema starting from Marey
Gonzalo De Lucas
About Marey
Alfonso Crespo, Francisco Algarín Navarro, Peter Kubelka
Eadweard Muybridge
Thom Andersen
Genesis of a Camera
Jean-Luc Godard, Jean-Pierre Beauviala
A conversation with Paulino Viota
José Luis Torrelavega
Trusting the images. Science, photography and the world at hand
Andrés Hispano
Notes on the origins of the medical cinematographic gaze
Paula Arantzazu Ruiz
Names are what you see when you look at things
Alex Pena Morado
Associative vision and figurative comparison
Gonzalo De Lucas
ALCOZ, Albert. Resonancias fílmicas. El sonido en el cine estructural (1960-1981)
Sergi Álvarez Riosalido
EISENSCHITZ, Bernard. Punto de partida. Entrevista a Robert Kramer
María García Vera